[Update 7/6: The Star runs a lengthy article on this proposal today]
The Indianapolis Business Journal ran a cover story this week about an initiative called HARMONI, the Historic Midtown Neighborhood Initiative. No, I can't parse the acronym either. Their plan is to work to improve the infrastructure in Meridian-Kessler, Butler-Tarkington, and Broad Ripple. The focus is on Meridian St., and changing the feel of the road from that of a commuter highway to a more neighborhood serving street.
The complete vision is not provided in either the IBJ article or on the HARMONI web site. But there is still a lot to sink your teeth into. The goal is to "return this district to the walkable, bikeable, connected condition it was expertly designed to be nearly 100 years ago". Phase I involves a series of improvements at high priority locations:
- Adding a median, sidewalks, and parkways to Meridian St. between 54th St. and the Canal.
- Adding landscaped sidewalks on both 56th St. and Westfield Blvd. from Meridian St. to Illinois St., linking Meridian St. to the commercial node there.
- Enhancements at the Canal bridge on Meridian St.
- A decorative crosswalk linking the Canal Towpath trail to Alice Carter Park across Westfield Blvd.
- Decorative sidewalks, parkways, lighting, and landscaping at the commercial strip at 39th St. and Illinois.
In effect, this plan will upgrade a stretch of Meridian north of where the sidewalks currently end, and improve connectivity to Bulter-Tarkington's two commercial nodes. This plan would cost between $4.4 million and $7.4 million, with about $2 million coming from private sources. Of the private money, $300,000 is in hand. Obviously with that price range, many decisions are yet to be made. Future phases aren't detailed, but the article notes that the group would like to restore rail transit service along the College Ave. or Keystone Ave. corridors. As the College Ave. corridor rail line is the Monon Trail, don't look for a decoversion there any time soon.
Here are some renderings that were posted by HARMONI. First the commercial node at 39th St. and Illinois St.

I'm not sure to what extent these renderings are intended to be actual depictions vs. conceptual drawings, but I'll point a few things out. On the plus side, note the separately marked Chicago-style bike lanes similar to the ones that will be put in on Michigan St. and New York St. on the east side. Also note the landscaped pedestrian blister that constricts the street at the crosswalk to slow traffic and shorten the crossing district. On the negative, the sidewalk looks too narrow - far to narrow for commercial frontage, and the power lines on the street have got to go. Pay attention to the antique street lamps, which I'll address later.
Meridian St. at Westfield Blvd. with a median, sidewalk, etc.

What I'll note about this is the use of some type of bollard to give extra definition to the crossing zones and additional pedestrian protection while waiting to cross. Very good. The cross-walk hatches appear to be themoplastic, however. The use of colored concrete as on the 38th St. streetscape would be much better. The intent is to lower the speed limit from 45 to 30 on this stretch of road. I don't see this project materially reducing actual speeds at this location, however. Speed limits are supposed to be set based on the design speed of the road and the speed at which drivers actually drive (the 85th percentile rule, for example). This road exhibits the characteristics of a 45MPH design speed.
Here's the treatment at the Meridian St. bridge over the Canal.

I like the gathering place where pedestrians could take in the Canal. I like the semi-circle design as well. It's like a mini-Monument Circle. That is a nice touch.
And the crosswalk on Westfield Blvd.

It looks to me like Westfield would be converted to a curb/gutter section here. That would be very nice indeed. I'd like to see the trail paved too. It is currently gravel. The big problem I note is that there is only the trail on one side of the road. There's no sidewalk on the other side. That's a design problem. It forces anyone walking to the park along Westfield to use the trail, then cross a busy street. This shouldn't be necessary for people coming from south of Westfield Blvd.
What I like best about this plan is in how it strengthens neighborhood commercial nodes, and treats sidewalks as linkages between origins and destinations, making them functional transportation systems, not just leisure paths. That's huge. Sidewalks are useless if they don't go anywhere.
One day I might write up my own strategy for the city. One of the key parts of it is to recognize that unlike almost all other major cities, Indianapolis is almost completely lacking in major urban commercial streets. There is nothing like, for example, even what you see with north High St. in Columbus, Ohio. Rather, Indianapolis has more pocket nodes of commercial intersections, surrounded by more low intensity residential areas. My theme is something like "100 courthouse squares" (or Monument Circles perhaps), where these nodes become neighborhood focal points, with a network of excellent connections between the nodes and between the nodes and surrounding areas. Have something Cultural Trail like to link the nodes to each other and to major corridors such a Meridian St. or the Monon Trail and to parks and other destination points. Use a more standard sidewalk for neighborhood linkages.
This plan goes right along with that thinking. It leverages the existing sidewalks on Meridian, fills them in to the north, then creates linkages to the 56th St. and Illinois St. commercial district. The Westfield Blvd. and 56th St. linkages connect the node to the Meridian St. spine, and the Westfield Blvd upgrade is the start of a linkage between that node and Broad Ripple. Looking at extending this further, I see other spurs going off Meridian to the 49th St. and Pennsylvania St. district, as well as the various commercial nodes along College Ave.
But I'm getting ahead of myself. Obviously I like this plan a lot. The city could build it as-is and I would happily raise my glass and drink a toast to it. But since this is Yours Truly, I naturally have a few suggestions to make. The current proposal is good, but frankly not distinctive. The renderings are nearly identical to many other such plans across the country. There's nothing here that screams "Indianapolis". While it is workmanlike job, it is not the type of project that would befit a world class city. World class cities think harder and dig deeper. So in that light, let me throw out a few suggestions that I believe could improve this project at modest cost. Hopefully they at least stimulate thinking.
I don't want to read too much into a few lines of text, but it appears that the fundamental design vision behind the project is one of nostalgia. The IBJ article talks about it, noting, "Nostalgia may be one way to sell the effort." The HARMONI web site says, regarding 38th and Illinois, "Nostalgic lampposts, street signs, brick crosswalks and plantings will celebrate the area’s history." Remember those antique street lamps I highlighted? This type of design is prevalent throughout the project. Merriam-Webster defines nostaliga as "
a wistful or excessively sentimental yearning for return to or of some past period or irrecoverable condition". In the design, this is implemented through things like Victorian gas lamp posts.
I believe that nostalgia is the wrong approach, and the specific design elements such as gas lamps the wrong way to implement it. Why? There are three basic reasons.
1. Nostalgia, as the definition implies, is a state of looking backwards, of longing for the good old days. It is an emotion that very much says our best days are behind us, and that we'll never have it so good again. I could not disagree more. This might be true of most of the Midwest, but it isn't true of Indianapolis. As I
noted before, one of the most distinguishing features of Indy is that its best days are head of it. Indianapolis is a bigger, more important, more influential place in the world today than it has ever been in the past. And it seems likely to only grow moreso in the future, with good leadership and a bit of good look. While cities like St. Louis talk about what they used to be, Indianapolis is still a rising star. It's a city on the way up. A design that reflects this outlook, that is more forward thinking and optimistic, while still being rooted in the fabric of the neighborhood would be much preferred.
This is not to say that we should fail to consider the history or character of the region. That's where all too many modernist designers fall down. They are all too willing to ignore the present and past in self-indulgence or a utopian zeal for blowing away the old to build an idealized future. The history of Meridian-Kessler, Butler-Tarkington, and Broad Ripple is a rich one. It is one to be celebrated and built on for the future - but not to be encased in amber. I believe this history can be tapped without engaging in retro-nostalgia, however. And I'll show you how.
2. The traditional implementation of a nostalgia based architecture, as best exemplified by the antique gas lamp posts, is excessively Victorian and feminine. This might make it a good fit for Paris or even a small town, but it's a bad choice for a Midwestern metropolis like Indianapolis. Think about the Midwest, Indiana, Indianapolis. What comes to mind? Tractors in the fields, fast cars and fumes, lunchpails and smokestacks, fierce competition on the sporting field, airplane engines, big rigs, a researcher's white lab coat, war memorials, etc. What do most of these things have in common? They evoke powerful, masculine images. The Midwest was the land where people with strong backs, strong morals, big dreams, and an incredible work ethic tamed the prairie, fed America, built its cars and appliances, etc. If you are going to be nostalgic, that's the image to shoot for, an unpretentious solidity. Frilly decorations just don't fit.
3. The typical antique gas lamp design is also very undistinctive. As I noted before, these were could-be-anywhere renderings. There is nothing about them that makes someone sit up and take notice that they are in Indianapolis, except perhaps the Canal bridge treatment. One antique gas lamp replica looks much the same as the next. It is probably the most common street light design in America. You can order them straight out of a catalog, most likely.
There are four challenges I'd put out to the designers:
- Create a design that unique to the city, rooted in its unique history and context. This is where we anchor to the rich traditions of the neighborhood.
- Create a design that says "Indianapolis". That's not to say that it has to be a race car or something. Too facile or obvious a design can be worse than something generic. But a design that is consistent with the brand image (e.g., appropriately masculine) that can be imbued with the city's own unique identity is a must.
- Create a design that is forward looking and optimistic about the future.
- It needs to develop or further a unique design identity for the city. As I have said before, so often a great design is made in one special place and never used again. Examples are the Warehouse District streetscapes, the brick along Market St., the 38th St. streetscape, and the I-465 NW fast track project. Making every design a one-off is like a company doing a different logo for every ad they run. It only confuses things. What is needed is a consistent and clear branding for the city, and a consistent design language is a big part of that.
Those of you who've been reading my blog can probably predict what I'll say next. (For a refresher course, read my
first Pecha Kucha presentation). I'm a big believer that transportation facility design is possibly the greatest branding opportunity a city has. As I
stated elsewhere, our interstates and arterials are our new Main Streets, our new public square. They are increasingly the venues that shape our impression of a place. What impression is your city leaving?
I believe there are already great examples of local design in place that could be re-purposed for this project. They meet all of the criteria. They are rooted in the local environment, masculine in tone, forward looking, unique to the city, and further its design identity.
The first design is the stoplight mast arms used in the Warehouse District.

This is one of my favorite designs, of anything, in the city. It is simple, clean, elegant, masculine, classic. Note the timeless quality about it. This would fit in with the Meridian